1.
Give significant
background information about the author or the literary piece
Answer:
Geoffrey Chaucer (1343 – 25 October 1400), known
as the Father of English Literature, is
widely considered the greatest English poet of the Middle Ages and was the first poet to have been
buried in Poet's Corner of Westminster Abbey. While he achieved fame during his
lifetime as an author, philosopher, alchemist and astronomer, composing a scientific treatise on
the astrolabe for his ten year-old son Lewis,
Chaucer also maintained an active career in the civil service as a bureaucrat, courtier and diplomat. Among his many works,
which include The Book of the Duchess, the House of Fame, Legend of Good Women
and Troilus and Criseyde, he
is best known today for The Canterbury Tales.
Chaucer is a crucial figure in developing the legitimacy of the vernacular, Middle English, at a time when the dominant
literary languages in England were French and Latin.
2.
Write the
synopsis or summary of the literary text
Answer:
One day a knight of King Arthur’s court
attacks a young maiden, raping her violently. By law he should be beheaded, but
Arthur allows his wife, Queen Guinevere, to make the final decision. The queen
says that she will let the knight live if he can answer one question: What is
the thing that women most desire?
He has one
year and a day to complete his quest and find the answer.
After
searching unsuccessfully for a year, the knight meets an old woman. She has the
answer to the question, and she vows to save his life if the knight will
promise to do whatever she asks. He does, and the two journey to the king’s
court where the knight delivers the correct answer to the members of the court
of King Arthur. In the presence of the king, queen, and nobility, the old lady
makes her demand on the knight—he must marry her. He does so unwillingly and
complains that he can never love her because she is old, ugly, poor, and common
(not of noble birth).
3.
List down three
questions that come to mind while reading the text, then choose one explore it
more fully
Answer:
What is the
character of the wife? And describe it!
What is the
representation of The Wife of Bath?
Who is the interpretation of text?
I would like to answer the first
question. The Wife as an
idealistic character who believes that bad men can change. If we choose the
latter, the Wife becomes a much more cynical character, inclined to mistrust
all men. In the second interpretation, both transformations—the knight’s
shallow change in behavior (but not in soul) and the hag’s transformation into
the physical object of desires—are only skin deep. Perhaps she is giving him
exactly what he deserves: superficiality
4.
Explain the
emotion that literary text awoke in you or which you felt while or after
reading the piece.
Answer:
For the most part, the emotion tone of "The Wife of Bath's
Tale" is straightforward, narrating the incidents it relates with little
embellishment or emotion. When the knight rapes a young maiden, causing the
people of the land to clamor for his punishment, this tone results in lines
like "Dampned was this knight for to be deed / By cours of lawe, and
sholde han lost his heed – / Paraventure swich was the statut tho"
(897-899). This is basically the Middle English way of saying, "this guy
was sentenced to die, because that's the law." Period, end of story, no
hand-wringing or hysterics. Only two things really seem to get the Wife
exercised enough to break her fiction of being an impartial narrator. The first
is the knight's audacity in sighing deeply upon being tasked with discovering
what thing women most desire; at this, the Wife remarks, "But what! he may
nat do al as him lyketh" (920). The other incident that prompts an
outburst (of sorts) is some women's desire to be "holden secree," or
perceived as able to keep a secret. This error prompts her to break into the
narrative to comment "that tale is nat worth a rake-stele," or rake
handle. But even this outburst is tame compared with those of which we know the
Wife is capable.
5.
Copy a part
of literary text (sentence, paragraph, dialogue) which is striking, puzzling
But
now, sir, let me see what shall I sayn?
Aha, I have my tale again (585-6).
This part of literary text showed the
women intelligence that can answer all of the question from the king,
the answer is not straight forward but in tale which is very meaningful
6.
Identify the
theme of literary piece.
"The
Wife of Bath's Tale" is part of the quest genre. A protagonist is missing
something (the answer to the queen's question) that he must travel near and far
to find, encountering trials and tribulations along the way. Although the
trials and tribulations our knight suffers don't amount to much more than the
fact that women, being individuals, all desire different things, the loathly
lady he meets at the end of the quest could qualify as a monster.
Consider: she's very, very ugly, and despite helping him to answer the queen's
question, she also prevents the knight from reaching what we presume is his
other goal, marriage to a suitable young damsel. Like the protagonist of any
quest, the knight is only able to "vanquish" the monster once he
shows inner growth – in our knight's case, a sensitivity to women's desires.
7.
Write the
critique of the works using an appropriate literary approach or theory
(Example: Feminism, Marxism, formalism, behaviorism, etc)
Answer:
Most of
"The Wife of Bath's Tale" is narrated from a limited third person
perspective, the same one we get in fairy tales ("Once upon a time . .
."). Even very emotional happenings are narrated without comment, indeed,
matter-of-factly, like when the knight "saugh a mayde walkinge him biforn,
/ Of whiche mayde anon, maugree hir heed, / By verray force he rafte hire
maydenheed" (892-894). Yet the Wife of Bath often interrupts her
straightforward third-person style to insert her opinions or comment on the
story, like when she narrates the accounts of what women love best entirely
with the first person pronoun "we." It's almost like the Wife can't
let the story "speak" for long without being tempted to insert
something of herself into it. For this reason, the combination of the third person
limited with first person voice is not only a way of describing the tale, but
an indication of the personality of its narrator.
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